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Accordion Concerto (Full Score)

Accordion Concerto (Full Score)

Composer Luís Tinoco
Instrumentation See below
Format
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About

This concerto, written in response to a joint commission from Centro Cultural de Belém and Casa da Música, is divided into two movements, each approximately ten minutes long.
In the first, calm and meditative in nature, colors are presented varied and characteristic registers of the solo instrument, in dialogue with the orchestra in a sequence of events that explore both intimate and camaraderie moments like dense orchestral textures, of greater intensity. A transition/coda follows that opens the second movement, introducing motifs and gestures that give rise to an energetic and pulsating music that challenges the soloist to reveal his virtuosity, expressiveness and, also, physical resistance.
Sometimes a concerto is born from the desire to write for a instrument, in particular, and the affinity and familiarity that a composer may have with his sounds. It can also be born of the admiration nurtured by interpreters with whom one greatly desires collaborate in the creation of a new score. This concert is the result of both scenarios, trying to respond to my curiosity about very particular potentialities of the accordion and, simultaneously, offering me the opportunity to write for a musician who that I admire and that I consider to have extraordinary qualities.

Luís Tinoco

 

biography:

Luís Tinoco [Lisbon, 1969] graduated at the Escola Superior de Música de Lisboa. Later, in the UK, he completed a composition MMus at the Royal Academy of Music, in London, and a PhD Music research at the University of York.

Since 2000 he has worked as a freelance author and producer of new music radio programs for the Antena 2 / RTP. For this same radio, Tinoco is the artistic director of the Young Musicians Prize and Festival.

He also lectures at the Escola Superior de Musica in Lisbon.

Tinoco's catalogue includes vocal and stage works such as “Search Songs” (2007) – for soprano and orchestra, setting texts by Alexander Search; “From the Depth of Distance” (2008) – for soprano and orchestra, setting texts by Walt Whitman and Álvaro de Campos; “Evil Machines” (2008), a music theatre project with libretto and stage direction by the Monty Python Terry Jones; “Paint Me” (2010), a chamber opera with libretto by Stephen Plaice and stage direction by Rui Horta; “Wanderings of a Solitary Dreamer” (2011), a cantata with text by Almeida Faria; “Lídia” (2014) a ballet with choreography by Paulo Ribeiro; and “Work Songs”, for voice and orchestra - written for the Brazilian singer Lívia Nestrovski..

Orchestral works include “Cercle Intérieur” (2012), premièred by the Radio France Philharmonic at the Cité de La Musique; “Horn Concerto” (2013), premièred by Abel Pereira at the 45th International Horn Symposium (Memphis, EUA); “Frisland” (2014) – premièred by the Seattle Symphony Orchestra at the Benaroya Hall; “Incipit” (2015) premièred by the Brazilian Symphony Orchestra in June 2015 (Rio de Janeiro); “The Blue Voice of the Water“, a work co-commissioned by the Orquestra Gulbenkian and the São Paulo Symphony Orchestra (2015), "Cello Concerto", premièred by Filipe Quaresma and the Portuguese Symphony; "Entre Silêncios - Clarinet Concerto", premièred by Horácio Ferreira and the Gulbenkian Orchestra; and “Kokyuu - Saxophone Concerto”, premièred by João Pedro Silva and the Lisbon Metropolitan Orchestra.

From 2016-2018 Luís Tinoco was the Composer-in-Residence at the São Carlos Theatre - Portuguese National Opera House. In 2017 was Resident Composer at Casa da Música (Porto).

Tinoco’s music is available on commercial CDs recorded with the Orquestra Gulbenkian (Naxos) and the Ensemble Lontano (Lorelt). In 2018 the record label Odradek released a CD with world premiere recordings of orchestral music by Tinoco, with performances by the Gulbenkian Orchestra, Casa da Música Symphony Orchestra, Portuguese Symphony Orchestra, Seattle

Symphony and cellist Filipe Quaresma as soloist. More recently, also on Odradek, Tinoco released "Archipelago" - an album fully devoted to his percussion works, performed by the Drumming GP. “Archipelago” was awarded the “Prémio Play” for best classical music album of the year 2020.

In 2022, Artway Next released "Aleppo and other silences", featuring Tinoco's chamber works written between 1998 and 2021.

 

In 2016, Luís Tinoco was appointed Associate of the Royal Academy of Music (ARAM) and in 2019 Tinoco was awarded the DSCH - Shostakovich Ensemble 2019 Prize for Composers. His music is published in the UK by the University of York Music Press.